Girard-Perregaux Neo Tourbillon Three Bridges - Baselworld 2014

Girard-Perregaux Neo Tourbillon Three Bridges – Baselworld 2014


by Johnny McElherron

How do you update an iconic watch, one which defines Haute Horlogerie – one which is highly recognisable ? More often than not subtlety is the answer, with a light touch on the sketch pad and a few refined adjustments here and there – nothing too arduous and nothing too overpowering. With their Neo Tourbillon Three Bridges, Girard-Perregaux have proven that they are not afraid to unleash some bold styling and to add some high-tech ingredients into the mix. Not since 2012’s Laureato Tourbillon with Three Bridges has there been such a modernistic take on the trio of arrow-headed bridges and its dramatic movement alignment, but with the “Neo” the amendments are not merely cosmetic, this time they have re-vamped the whole shebang.

Girard-Perregaux Neo Tourbillon Three Bridges

Girard-Perregaux Neo Tourbillon Three Bridges

Girard-Perregaux Neo Tourbillon Three Bridges – Skeletonized Bridges

The bridges have been skeletonized so that you can see what is going on behind them and the use of titanium in their construction skinnies their weight further still. Their curviness complies with the shape of the hands – also skeletonized, and despite a shadowy coating of PVD, the result is techy and not sombre. In keeping with the bridges, the mainplate receives a sandblasted finish providing an anthracite backdrop. The tactile pebble-like appearance of the case comes thanks to the domed sapphire which reaches right to the edge infinity-style without a bezel to halt its flow. There is no distortion, even side-on, allowing for a superb look-see whatever the angle. A combination of polished and satin finishes play with the light on a watch case made from rose gold.

Girard-Perregaux Neo Tourbillon Three Bridges

Girard-Perregaux Neo Tourbillon Three Bridges

Girard-Perregaux Neo Tourbillon Three Bridges – Dramatic Calibre Redesign

The calibre has also been subject to a rather dramatic redesign. Referenced as GPO9400, it is larger than before but still retains a well-behaved symmetry. A new and more efficient white gold micro-rotor is tucked away beneath the barrel – not around it as before, a larger barrel drum makes room for a longer spring and ultimately a more generous power reserve is achieved, up to 72 hours for this piece. The one-minute tourbillon at the 6 o’clock has a titanium cage, a Phillips terminal curve and its aesthetics have been heightened by a blackened balance. Consisting of 245 micro components, and beating at a rate of 3Hz, the calibre is very much a “watchmaker’s” movement, with modular construction for ease of assembly and also servicing.

Girard-Perregaux Neo Tourbillon Three Bridges - Caliber

Girard-Perregaux Neo Tourbillon Three Bridges – Caliber

Girard-Perregaux Neo Tourbillon Three Bridges – A Visually Stunning Bridge

Turn the piece over and the exhibition caseback reveals that there is beauty to be discovered in the marginally industrial plainness of this calibre. The arrow-shaped form is not only represented through some subtle styling but also with a visually stunning bridge which extends almost the whole width of the movement.

Girard-Perregaux Neo Tourbillon Three Bridges - Caseback

Girard-Perregaux Neo Tourbillon Three Bridges – Caseback

The Girard-Perregaux Neo Tourbillon Three Bridges represents the interface between this company’s desire to nurture its traditions and its appetite for innovation. Constant Girard-Perregaux designed his “Tourbillon sous Trois Ponts D’Or” in 1865 but the distinctive aligned arrangement in wristwatch form, which is now a firmly established addition to the portfolio, did not appear until after 1991. As we near the hoopla that its 150th anniversary will bring, the Girard-Perregaux Neo Tourbillon Three Bridges Is a very respectable preamble.

    Author Bio

    Articles by Johnny McElherron

    CONTRIBUTOR

    Johnny McElherron was busy minding his own business as a successful company director, when one day he fell in love with watches. So deeply that soon after his eureka! moment he established The Watch Press as a vehicle where he could indulge his passion with gusto. What his eye beheld he would write about, in his own unique style, and in time his work penetrated through to numerous national and international mainstream and online publications. Today Johnny creates engaging content for watch industry clients, and in 2014 joined forces with the highly respected watch industry specialists Delos Communications, with whom he works to provide Delos clients with high quality content to ensure no part of their company message gets lost in translation.